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Artist
Home Page "Fibsville", his new self-produced CD, cleanly captures Michel's
talent for clever word-play and his solid musicianship, with the adept aid of
his Starling bandmates Ian Lefeuvre (on vocal and bass duties) and Peter Von
Althen on drums. Exuding a Bowie-like cool self-confidence both live and on
record, Michel's sound is captured on this CD with a clarity that evokes images
of saliva on the lip as he catches his breath between phrases. In a broad landscape of styles, with a nod to influences as diverse as the
aforementioned Bowie, ex-Pixies frontman Frank Black and with sounds occasionally
borrowing from the palettes of Canadian peers Blue Rodeo, Treble Charger and
The Skydiggers, Michel displays his obvious enthusiasm for diverse musical styles
(further evidenced by his choice of covers in his solo sets) yet manages to
corral these sometimes divergent influences into a cohesive whole, thanks to
his consistently strong melodies and absorbing vocal delivery. Although occasionally,
and probably intentionally, straying into cliché-country - "I don't
wanna be your fool... how could you be so cruel" ("Old Tattoo")
- Michel just as often is writing next generation's cliches: "All your
love came smashing down like an old coal mine" ("Coalmine").
And sometimes it takes a cliche to evoke an emotion everyone has felt a hundred
times so you can't fault him that. "Fibsville" is a carefully crafted collage of styles that blend seamlessly
in the hands of a highly-skilled songwriter. A few highlights: "Coalmine"
finds a Duane Eddy guitar break surfing into a dark guitar/vocal bridge into
straight-ahead rock; "Hartley" integrates jazzy guitar and rinky-dink
piano into a circus waltz of an ode to Wallace Hartley, doomed band leader of
the HMS Titanic. "There's no way out," indeed. "Crawling over
rocks on mars" (Souvenir) evokes some of the lyrical ambiguity of Beck
in a steady rock number, while an occasional self-loathing reference ("Who
Cares") surfaces in a mostly upbeat affair. Fans of Michel's full-band shows and solo shows alike will not be disappointed
thanks to the inclusion of favourites like "Whale of a Tale" (hasn't
everyone heard one of these from someone perched on a barstool at closing time?)
and the live versions of "The Graduation Present" and "Melt"
which close off the album. Michel obviously takes the crafts of songwriting and recording very seriously;
the CD reflects an exacting attention to detail in the playing, recording, and
right down to the "Just say no to random shuffle mode" warning on
the packaging. If you pick up the CD, please give him the benefit of the doubt
and listen as it was intended, in sequence, and prepare to be enthralled. Another gem in a currently vibrant Ottawa scene; highly recommended. •Stephen K. Donnelly Email
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