Big Star: Nothing Can Hurt Me - Read it
20 Feet From Stardom - Read it
Avatar - Read it
Everclear - In A Different Light Read it
The Bushpilots - Seven Ways To Broadway Read it
Craig Cardiff, Matthew Barber, Julie Fader - Live at Black Sheep Inn, Wakefield Quebec Read it
Capote - Read it
Brokeback Mountain - Read it
Syriana - Read it
Jim Bryson, Justin Rutledge - Live at the Black Sheep Inn, Wakefield QC Read it
the Review Archives
A musical joyride through the darkest recesses of singer Art Alexakis' divorce, his parents divorce, his feelings for his daughter, etc. Mostly autobiographical, usually uptempo despite the often downtrodden emotions being expressed. There is quite a variation in tempos and volume levels but a consistently Everclear sound is distinct throughout. Some standout tracks:
Song From An American Movie: banjo, mandolin and acoustic guitar back an unveiled tribute to his daughter.
Here We Go Again: Public Enemy samples and a slightly rockified version of "Kiss" by Prince?
AM Radio: longing for the old days (the seventies) in rave-up featuring a sample of "Mister Big Stuff". I expected them to say "Freak Out!" at the end of the swelling "Ooooooohhhhhh..." at the beginning. What's that TV show theme in there? Can't remember but it gave a feeling of deja-vu.
Brown-Eyed Girl: a bombastic cover of this old Van Morrison favourite featuring keyboards (or is it strings) and huge production.
The Honeymoon Song: a nice honeymoon tale sung by drummer Greg Eklund
Now That It's Over: a return to the more familiar Everclear style: pounding drums and bitter lyrics, but with almost Who-like keyboard arpeggios, punctuated by the psychologist: "Congratulations, a compulsive and a fetishist. You will be very happy together."
Thrift Store Chair: a nice acoustic tune with accordion, and more bitterness.
Wonderful: you've probably heard it a dozen times on the radio by now, but it's still a great song. Especially interesting for those of us who grew up with Star Wars and divorced parents, I imagine there are quite a few.
A really good and deceptively simple pop record. Crystal-clear production and amazingly enough it was recorded in Alexakis' basement studio. I can hardly wait for the follow-up, supposedly a more rock record slated for later this year.
•Steve Donnelly Email
the review archives